Michael jackson bad album 25th anniversary

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Heck, even the songвЂ™s structure hews remarkably close to that of вЂњThrillerвЂќ, the chorusвЂ™ for both sitting on a higher key than the verses, both popping with bright horns (although virtually every modern pressing of Bad opts for the single mix, which oddly doesnвЂ™t feature as many horns as the original album version). The song is lyrically tough yet musically very soft, and it exists less a defiant statement of badassery than it does as a fun promotional tool. The only other time this comes up in JacksonвЂ™s canon is once again with a title track: вЂњBadвЂќ. You canвЂ™t hear the song without immediately thinking of its promo clip, and much of the fun nostalgia laced with the song stems from exactly that: its music video.

The song exists almost solely for its music video, which is and always will be considered one of the greatest of all time if not the greatest of all time.

#Michael jackson bad album 25th anniversary free

While вЂњThrillerвЂќ is arguably the signature song for Jackson, the funky tune - as fun as it is - is not one of the greater songs in JacksonвЂ™s cannon: itвЂ™s more style than substance, flashy and fun but free of the lite emotional gravitas that вЂњBeat ItвЂќ or even вЂњRock With YouвЂќ possessed. In truth, JacksonвЂ™s legacy has become so intrinsically sewn into our pop culture consciousness that we rarely sit back to objectively look at how his songs stack up when separated from their visually-stunning counterparts. Just listen to the title track: solid keyboard grounding, immaculately detailed backing vocals, a large amount of lyrical braggadocio - this could very well have fit on Thriller without anyone noticing.

#Michael jackson bad album 25th anniversary update

It was broadly appealing and highly marketable, but Bad rarely ventures outside of the Thriller palette (only when Dangerous was released did Jackson start to actually update his sound to be more contemporary). Yet Thriller had already moved on from Off the WallвЂs disco leanings to embrace a modern sound that was rooted in funk, soul, and traditional pop. Amazingly, 10 of the albumвЂ™s 11 songs were released as singles (вЂњJust Goods FriendsвЂќ being the odd one out), and five of them topped the charts - an astonishing record. All of this was done because Bad was ultimately meant to be a more personal project for Jackson, although its commercial intentions were never in doubt. Thus, go-to Jackson songwriter Rod Temperton (вЂњRock With YouвЂќ, вЂњThrillerвЂќ) was jettisoned as Jackson took on the lionвЂ™s share of the songwriting duties, writing nine of the albumвЂ™s 11 tracks (only the Stevie Wonder duet вЂњJust Good FriendsвЂќ and вЂњMan in the MirrorвЂќ were outsourced). It may not be perfect, but thereвЂ™s still a lot to love here.Дuring the albumвЂ™s creation, Jackson decided to take a greater control of his vision, having written only four of ThrillerвЂs nine songs (those four - вЂњWanna Be StartinвЂ™ Somethin'вЂќ, вЂњThe Girl is MineвЂќ, вЂњBeat ItвЂќ, and вЂњBillie JeanвЂќ - all placed in the Top 5, the latter two becoming #1вЂ™s). It dares little, sounds like a carbon copy of its predecessor, but still manages to deliver some of those knock-out moments that Jackson became known for. The end result, of course, was Bad, and looking back on it 25 years after its initial release with this multi-disc special edition released by Sony Legacy (entitled, simply, Bad 25), we are reaffirmed in everything weвЂ™ve always known about this disc: it is a dynamite sequel that exemplifies everything about the вЂњif it ainвЂ™t broke, donвЂ™t fix itвЂќ philosophy of success.

#Michael jackson bad album 25th anniversary how to

It was the album that pushed Jackson into the rarest of superstar echelons, so when it came to recording a follow-up, not only was the world waiting with baited breath, but Jackson and producing partner Quincy Jones ran into the difficult problem of having to figure out exactly how to top the biggest album ever. It was so powerful and omnipresent, people actually forget that it won the Album of the Year Grammy in 1984. From his iconic Moonwalking, innovative music videos, and something-for-everyone accessibility and appeal, Thriller was not as much an album as it was a cultural event of the highest order.

Yet 1982вЂ™s Thriller was a game-changer in every single possible sense of the word. The Michael Jackson of the mid-вЂ™80s can lay claim to having a problem that no one in the world had ever run into at that point: how do you follow up the biggest selling album of all time?ДЄfter all, JacksonвЂ™s 1979 вЂњdebutвЂќ album Off the Wall was a bona fide classic, and established Jackson as a full-bore pop icon in his own right following his many years with The Jackson 5.